by Pieter Jacobs, ACT CEO –
When we talk about the intersection between the arts and technology we tend to think about how the arts could be advanced using technology and not necessarily the other way around.
I would argue that the arts have influenced the advancement of technology for many decades. Designers and filmmakers have played an undeniable role in stimulating the development of technology with some of these advances first making their appearances in imaginative films. Star Trek brought us the communicator aka the mobile phone, 3-D printing and numerous others. A version of Steven Spielberg’s digital billboards in Minority Report, which can tell a person’s gender, is being tested in Japan and France.
ASSITEJ SA is proud to announce that for the first time, an ASSITEJ World Congress and Performing Arts Festival will be held on African soil in May 2017. The bid to host this prestigious event, which is themed “Cradle of Creativity”, referring to the position of South Africa as the Cradle of Mankind and the Congress as a space for nurturing innovation and creativity in theatre for young audiences, was successfully delivered by Lali Dangezela (Shakexperience), Ismail Mahomed (National Arts Festival and Deputy Chair of ASSITEJ SA) and Rosie Katz (on behalf of the National Arts Council of South Africa). There was an overwhelming vote of confidence from the countries attending the 18th Congress in Warsaw, Poland, with 151 votes or 96,2% in favour of the South African hosting. The bid was supported by Wesgro, The Conference Company and the National Arts Council. A short film made especially for the bid was shown, and was very well-received by the delegates:
To take advantage of this vital networking opportunity, a lively and highly energised African party was hosted in Warsaw with the support of the Arts & Culture Trust and Nedbank Arts Affinity. The South African Embassy in Warsaw was extremely pro-active and engaged, and Counsellor and Deputy Head of Mission, Rasheeda Adam, attended the party and spoke warmly in support of the bid. African delegates from Nigeria, Cameroon, Zambia and Angola also spoke in support of the bid coming to South Africa and pledged their involvement in the preparations towards the first African World Congress. read more…
by Rahiem Whisgary –
If we are to believe Mozart that ‘music is not in the notes, but in the silence between them’, then we, as appreciators of music, surely hanker to experience those sublime silences in live performance. Yet few of us are aware of the hardships – decrepit accommodation and lack of food, to name a couple – that touring musicians endure. While we bask in the visceral and transcendental power of live music, findings in Song Lines: Mapping the South African Live Performance Landscape – a research report implemented by Concerts SA – provides the reason to strive for the betterment of music industry structures: live touring in South Africa has been and continues to be so important for musicians’ income streams that they are prepared to tolerate poor conditions to retain this type of work.
The report, compiled and written by Gwen Ansell and Professor Helena Barnard, illustrates that over a period of 40 years, in spite of new technologies and the abolition of apartheid, not much has changed within music industry structures: the vast majority of performance venues do not have available rehearsal space, few venues offer musicians a guaranteed fee for shows, most clubs and venues have no form of funding or sponsorship to help with staging live music and, alarmingly, areas such as Mpumalanga, the Northern Cape, the Free State and the North West host less than 5% of the country’s festivals. read more…
by Ismail Mahomed –
Forty years is a milestone for any arts festival. This year the National Arts Festival celebrates the fortieth year since its founding in 1974. Until 2003, I spent twenty of those years trekking to Grahamstown as a freelance producer on the Fringe. In 2008, I found the mad courage to take up the position of Artistic Director of the National Arts Festival.
Reflecting on those early years as a Fringe producer, I guess there was much similarity between me and an alcoholic. For some reason, I trekked to one festival after the next in very much the same way as an alcoholic who was reaching out for his next bottle. Anyone who has produced work on the fringe will acknowledge that there is nothing that quenches the thirst for creativity more than drinking from the bottle of euphoria that one finds at festivals. read more…
by Amy Gould –
This open letter appeared in ImagineMag!, an online arts magazine of which the establishment was supported by the Arts & Culture Trust (ACT). We thought Amy’s open letter to funding organisations in the magazine raises interesting points and we thought our readers might share her view and want to contribute to the conversation; please do so in the comments section below. Click here for the most recent edition of ImagineMag!
An open letter to all funding organisations – be they Governmental, Business or private individuals as well as Non Profit Companies.
I speak in my capacity as a Director of a NPC that is both a training and performing dance company and having dealt with both Government and Private Agencies re funding and policy.
Government Funding as well as Corporate and Business funding appears to be based on their policy requirements – understandable. read more…
by Pieter Jacobs, ACT CEO –
When it comes to the implementation of audience development it is all too easy to resort to bussing in underprivileged children from who knows where. Unless this is part of a holistic programme which also addresses other crucial factors, such as motivation and opportunity to attend or participate, one can’t but wonder whether it isn’t simply an attempt to fulfill a short-term need to get bums on seats. Providing access (ability) to attend is only one part of audience development.
It becomes a concern when at the Arts & Culture Trust (ACT) we receive countless applications from arts organisations interested in growing their audiences (market) by doing just that. Most often by targeting the youth in locations that doesn’t make sense at all. ACT is passionate about this area of development but also realises that there aren’t enough funds to shoot and miss. read more…
Business and Arts South Africa’s has revealed a double digit growth in arts sponsorship, in spite of the tight economic conditions faced by companies over the past two years.
Specifically, the research predicts that an estimated R438 million was spent on arts sponsorships in 2013 – an 11 percent growth on the R394 million spent in 2011, as measured by BMI Research. read more…
by André Myburgh –
Copyright is pictured, with some justification, as a complex area of law best left to experts. Yet, copyright in an artistic work is potentially a valuable source of income for the artist who created it, and it is therefore important for artists who make a living from their works to have a basic understanding of copyright. Financial benefits from the copyright in a work can endure long after the original work has been sold, since the copyright in an artistic work normally does not pass to the buyer with its sale. This article aims to set out how visual artists can use copyright to be remunerated from licensed use of their works, over and above the income generated by sales.
The term “artistic works” in the South African Copyright Act, No 98 of 1979, includes “paintings, sculptures, drawings, engravings” and other works of craftsmanship. It also includes “works of architecture” and photographs, which are not dealt with specifically in this article, since they enter the commercial markets differently from the other fine arts, and slightly different rules apply to them. Each one of them justifies its own article. read more…
by Kate Ferreira –
Drama and English scholars in KwaZulu-Natal can look forward to seeing their reading come to life in Prompt Side Productions’ stage production of ‘Boesman and Lena’ at the Hexagon Theatre, UKZN Pietermaritzburg campus. The play opened last night and will run until 31 May 2014.
The play – a classic from celebrated playwright Athol Fugard – is produced by Prompt Side Productions founder Stallone Santino, with assistance from the Arts & Culture Trust and the Nedbank Arts Affinity clients, and directed by Brenda-Lee Cele. It stars Sade Wagner (Lena), Tshepang Koloko (Boesman) and Musa Nkomo (Outa). read more…
by Neil Coppen –
I’m a huge fan of the masters of political satire, particularly Jonathan Swift and George Orwell. I’ve toyed for some time with the idea of South African theatrical adaptations of both ‘Gulliver’s Travels’ and ‘Animal Farm’. The commentary these books make are timeless and hugely pertinent to a South African context in the way they reflect on the human condition, power, class and the everyman trying to make sense of the whole darn mess.
It’s the sort of universality and relevance that I strive for in my own work. So with ‘Animal Farm’ I feel very close to the material and can identify instantly its resonance here in South Africa. read more…
by Lebogang Mdlankomo –
“Excite, Explore, Exchange and Examine,” that is what Nobulali ‘Lali’ Dangazele of Nobulali Productions would like teachers and learners to do when taking part in programmes they facilitate in schools across the country.
The company, supported in their latest endeavours by the Arts & Culture Trust, has developed the teaching and learning method of ShakeXperience by making the curriculum setwork come to life right before the learner’s eyes. read more…
by Lebogang Mdlankomo –
With just her drive and nothing else Andrea Lois Nel started the Rising Star Academy in North West province in 2013 and hasn’t looked back.”Materially I had nothing. I had gone through a personal upheaval and I had nothing to lose. I started with three students and some homemade pamphlets which I copied and handed out to people,” says Andrea.
She says that while growing up, her parent’s involvement in a local theatre group inspired her passion. “It was always an interest which never waned,” she explains, and owes her success to constantly trying, persevering and believing in herself. read more…
by Altovise Lawrence, Scholarships MC 2013 –
The transition from High School to a tertiary institution is much like preparing for a performance. There are endless rehearsals where time is spent preparing for an opening that will be nothing short of ‘Perfect!’.
But then you fumble. You forget your line. You miss a step.
by Andrê Cloete from DALRO | Supervisor: Theatrical Rights –
As creatives and performing artists embark on journeys of exhibiting their talent and producing a stage work, they often do so with the common yet basic fear that so many in their field share: that of it being a success, and so much so that it enables them to put food on the table and keep the bills at bay for a little longer. It’s the curse that so many share in today’s volatile environment. If you’re a performer or creative yourself, I’m sure you’re nodding your head as you read this.
However; I’d like to pose a related question to you. With contracts signed and wages coming in, how many of us ever stop and wonder if the author is getting his/her share? read more…
by Hlabangani Mtshali –
Although orchestral music has a sizable audience in South Africa, it is still not as popular outside the circles of its aficionados. One orchestra, however, is looking to change that by bringing world-class orchestral performance to the people.
Later this month, The Bloemfontein City Orchestra, with support from the Nedbank Arts Affinity and the Arts & Culture Trust (ACT), will be performing world renowned composer Karl Jenkins’ moving composition, The Armed Man: A Mass For Peace at the Sand Du Plessis Theatre in Bloemfontein. read more…